Eventually he gets drawn into helping hide Rossi's cousin, who's in Portugal recruiting for the Republican cause in Spain, and as one thing leads to another Pereira soon finds himself in serious trouble with the authorities. But Pereira pays Rossi for them anyway and puts them away in a folder. Rossi's pieces – either attacking Fascist writers or praising left-wing ones – are all unpublishable. His semi-retired routine is disturbed when he hires a young man, Monteiro Rossi, to prepare obituaries of famous writers. He's overweight, and has a heart condition, not helped by his fondness for omelettes and sugary lemonade. Pereira is a widower his closest confidant is the portrait of his wife that hangs in his hallway. The paper describes itself as 'apolitical' (which means it doesn't cover the Spanish Civil War) and 'independent' (it prints what the Salazar regime would like it to without having to be asked). The protagonist, Pereira, is a journalist, a veteran reporter on a national daily who now edits the culture page of Lisboa. The late Antonio Tabucchi's novel Sostiene Pereira is set in Lisbon in the summer of 1938.
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